
J'ai choisi un vitrail moins complexe pour essayer un double gaufrage intégrant du papier carbone. J'ai ensuite divisé les espaces que j'ai agrémenté d'aquarelle et de filigranes à l'encre ferro-gallique.
Je crois que je tiens quelque chose, d'autres photos bientôt, dès que j'aurai terminé de filigraner l'ensemble.
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Very lovely. The carbon paper effect is like some delicate monoprint. (I suppose it IS a delicate monoprint.)
What will you do when you run out of carbon paper?
[What paper are you doing it on? Shall we all bring old carbon paper in the summer to Saint-Antoine?]
& (last question) when will someone commission you to acid-etch and stain filigranes on a beveled glass church window? Hmmmmmm?
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When I will run out of carbon paper, I will find something else to get obsessed with ;-)
For the time being, I have plenty of it and as it can be used several times (with a better effect after 3 or 4 use), I don't feel very concerned about it
I use "Aquarelle Arches" paper, it is the one which hold the carbon the best.
Until next summer and the course in Saint Antoine, I will write a note with the needed equipment for embossing, I may find other techniques to mix with it.
Concerning stained glass & filigrees, I'm open to any commission :-)
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Pas mal cette technique du gaufrage sur carbone. La nuance de l'impression rend un bel effet. Un travail très minutieux, t'as des yeux d'aigle !
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